ICONOCLAST, n. A breaker of idols, the worshipers whereof are imperfectly gratified by the performance, and most strenuously protest that he unbuildeth but doth not reedify, that he pulleth down but pileth not up. For the poor things would have other idols in place of those he thwacketh upon the mazzard and dispelleth. But the iconoclast saith: "Ye shall have none at all, for ye need them not; and if the rebuilder fooleth round hereabout, behold I will depress the head of him and sit thereon till he squawk it."
-- Ambrose Bierce

Saturday, April 28, 2012

Revolution as (nonutilitarian) Sympathetic Magic?
Manifesto of Charm: Incantation, Seduction, Transformation

Desire may be entirely, the will to experiment within new-found contexts, themselves in or out of transformation (most often, it is a simultaneity or absurd redundancy since there are no repeats, only spiraling, tangentially generative similarities). Desire's induction may be merely the openness to perturbation (the womb of interest) after-which one follows, or it fades and momentum continues after an uncertain pause.

Seduction

"What is seduction? It's a rather unsavory concept, bringing to mind manipulative attempts to induce others to let themselves be used for one's own ends. In a sexual context, it can imply either a romantic, charismatic, persuasive use of charm to propose a sexual encounter, or a way to trick someone into succumbing to one's advances. The connotations are discomfiting, but the salient factor is the implication that the seducer creates a desire, rather than simply unearthing it. It is this sense that we find most interesting in considering the problems of desire and consensus reality on the political level...

What is desire? Let's conceive of desires not as internal elements emanating from within individuals, but as autonomous forces that flow through them. Individuals don't desire things; whole societies produce and circulate desires, even if those desires remain submerged...The existing consent discourse presupposes static notions of self and desire. It presumes that desire is monolithic, composed of a single thrust rather than multiple pulls in different directions... the desires we experience are not fixed or unitary. They shift constantly based on our experiences and contexts. They are multiple, contradictory, and divergent, surprising us with their diversity, frustrating us with their mutability. They resist our attempts to confine or domesticate them. They simply can't fit into a two-dimensional binary model of consent, wherein we either want something or we don't.

When we seduce, we present someone who ostensibly doesn't want something with a new situation in which they may want it after all. Whereas consent focuses on obtaining the go-ahead for an external action – "Is this OK?" – seduction focuses internally, on desire: "Could you want this?" Our practices of seduction don't aim to induce others to do things they don't want to do, but to induce others to want to do them, in the most meaningful sense: to want to take on all the risks and pleasures they entail...

We don't buy into the idea that our goals are what everybody "really" wants, nor do we assume that everyone would adopt our views if only they had access to all the right information. We don't claim to represent anyone beyond ourselves, nor to stand in for any silent majority; in that sense, anarchist revolution is not a democratic project. Nor do we, despairing of those things, decide that to be true to our principles we must give up on transforming society altogether and retreat into isolation among the few comrades with whom we can establish meaningful self-determined consensus. We don't think it's hopeless to resist in the face of the stranglehold of consensus reality. We want a different path...

We neither wish to impose our will on others by force, nor to disregard their desires. Instead, we want to perform a kind of magic, an alchemical operation. We want to induce desires, not simply (create or) fulfill them.

We hypothesize that seduction unfolds via three processes: transformation, invitation, and contagion. We transform circumstances, creating space for new possibilities and thus new desires to flourish; we invite others to participate in these new situations, to experiment with different modes of action and desire; and we infect others with curiosity, an insatiable desire for freedom, and the means to experiment towards it...

We strive for transformation because if we desire on the basis of what we know, we can only induce new desires that exceed the confines of our current reality by shifting the conditions in which we live. Sometimes it can be as simple as doing things in the street without permits, or using a park or building for an entirely new purpose. Disobedience is crucial to transformation; nothing opens up a sense of possibility like literally breaking the rules. But our behavior is constrained by far more than traffic laws and zoning regulations; social norms, gender roles, and innumerable other systems shape how we act, and each way we're constrained provides new terrain for transformation. The key lies in challenging what's taken for granted in a way that opens up the possibility to act differently, and to imagine how the world would be different if those rules and borders were no longer fixed.

Invitation requires neither persuasion via rational discourse nor imposition by force. Here we maintain the spirit of consent discourse, asserting our respect for the wishes of others and opposition to coercion. We aspire to a world based on voluntary association, in which participation is based on our own free choice rather than force or manipulation, and thus we aim to prefigure that world through our methods of creative resistance...

Seduction casts the invitee as the protagonist, the one whose agency counts – in contrast to consent discourse, which merely seeks permission. The whole point is for people to discover new desires, to want to do something they didn't want before; they have to be in the driver's seat for that to be possible. In this sense, we are using seduction to mean the opposite of its traditional negative connotation of trying to get something from people against their will or at their expense.

Finally, we aspire to invite others into practices that will prove contagious: ideas that self-replicate, models that can be applied in a variety of circumstances, attitudes that prove infectious. Contagion ensures that rebellion isn't restricted to activists, scenesters, or any other particular group. Only when revolt spreads so widely that it can no longer be quarantined to a specific demographic will anarchy move permanently beyond the anarchists. We succeed when others emerge from the spaces we create feeling more powerful. We win when the ruptures of possibility we open prove impossible to close."

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